
The marina at the southern end of the Everglades
Camera update: The Widelux has been claimed. With a little luck, I should see it returned by Christmas. Of 2017. #NoMoreBands

The marina at the southern end of the Everglades
Camera update: The Widelux has been claimed. With a little luck, I should see it returned by Christmas. Of 2017. #NoMoreBands

A kayaker paddling up to the Springs
A quote I found posted at the Springs:
“Having borrowed a canoe from some Indians, I visited a very great and most beautiful fountain or spring which boils up from between the hills about 300 yards from the river, throwing up great quantities of white small pieces of shells and white shell rock which, glittering through the limped eliment as they rise to the surface, subside and fall again round about on every side.
The bason of the fountain is nearly round and about 100 yards in circumferance. The banks round about of a moderate steep assent cover’d with broken white shell and the water gradually deepns to the center of the fountain, where it is many fathoms deep. The fountain is full of fish and alegators and at great depth in the water appear as plain as if they were close at hand.
The creek that runs from this immence fountain is above twenty yards wide and runs very swift into the river, carying its sea green transparent waters near 100 yards a cross the river, the depth of the water of the creek 10 of 12 feets—where we see a continual concourse of fish of various kinds such as garr, catfish, mullet, trout, bream of various species, silverfish and pike, and the monstrous amphabious maneta: A skeleton of which I saw on the bank of the spring, which the Indians had lately killed.
The hills that nearly incompassed the spring were about 15 or 20 yards in height next the river but the land falls away considerably from the top of the hills and becomes a lower flat or nearly levell forest of pine, oak, bay, magnolia, and cabbage trees. The soil of the hills a loose greyish sandy mold on shelly and limestone rocks. The water of the spring cool and agreeable to drink. The Indians and traders say this fountain vents the waters of the Great Alatchua Savanah.
—William Bartram, July 1774

Looking out over Florida Bay from the roof of Fort Zachary Taylor
The Widelux is a swing-lens panoramic camera. Eventually, the camera develops a “banding” issue, which this photo highlights extremely well. An alternating pattern of light and dark bands is transferred to the film. This happens when the swing-lens gets dirty, and the motion of the lens across the field of view, is no longer smooth. My Widelux was certainly due, considering that it was manufactured around 1965, and I have not had the camera professionally cleaned, and I have no idea if a previous owner had either.
The timing wasn’t great, because I had plans for the camera in August, but I called up a shop near Chicago on Friday that works on Widelux and they said that if I could get the camera to them by today, they thought the turn around could be fairly quick. I immediately sent the camera their way, and have watched the USPS tracking service online, only to see that no one has been around this week to sign for the insured package.
Which leaves my camera in postal service limbo.
So my question today is this: When exactly did customer service die its excruciating death? I realize that it has been on life support for some time, but when did we actually pull the plug?
This has been an incredibly busy week for me, which I’m thrilled about. The perfect weather has come at the perfect time. Unfortunately, it also means that I do not have a lot of time to call the camera shop several times a day to ask: “WTF?”
I’ll try one more time in the morning, then I will request that the USPS ship the camera back to me, so that I can ship it to another shop.

Fort Zachary Taylor in Key West
I had some film developed from the Florida trip that was shot with my Widelux. Sadly, no one develops film in Fairbanks any longer, so I had to send the rolls down to Anchorage. Great people down there luckily, and it’s a photo lab that I used to go to regularly.
The very first car model I ever put together when I was a kid, was a kit for a 1914 Stutz Bearcat; I’ve been hooked on the classic, jazz-age roadster ever since. Some things just never leave you.