Tag Archives: B&W

Panorama of Fort Niagara

The layout of Fort Niagara

Camera: Widelux FVI; Film: Kodak 35mm, TMax100


Fort Niagara via Widelux

The view from the wall

On my last visit to the east coast, I drove out to Fort Niagara, which overlooks the mouth of the Niagara River. I have already written about the historic fort in a previous post.

I brought my Widelux panoramic camera along for the visit, and I have a few photos that I thought I’d share. The scans turned out okay, but I have to say I really like the massive 4″x12″ prints.

The French Castle

Camera: Widelux FVI; Film: Kodak 35mm, TMax100


Resurrection Bay in B&W

Sailboat heading out to the gulf

Fishing for pinks at the mouth of Lowell Creek

Abandoned pier

Camera: Agfa Billy-Clack 74; Film: Kodak 120 TMax 100


Unexpected Selfies

The Rover Dash: I must be going downhill

When I sent in the film from the Billy-Clack, I had one roll of 120 black & white film that I could not remember when I had shot it. Somehow, a roll of film had been forgotten in a pack pocket during one of my travels. It sat around for a bit more, as I waited to get some more 120 used up.

The roll does have some history to it, and it has been a while. It’s from the last time The Rover was down in the Lower 48. Probably right after I swapped out the motor, because there are a few shots of San Antonio.

There was also a shot of some young punk, riding alongside me in the Land Rover, taking a picture of himself as he stuck out his tongue at the camera. He also took this shot of the Rover dash, probably scared at how fast we were moving.

I must have been concentrating on traffic, because I do not remember him sticking his tongue out at me or the camera.

Camera: Agfa Clack (not the Billy-Clack); Film: Kodak 120 TMax 100; Photographer: Minnesota “Moose” Matthew


Miller’s Landing

Seward, Alaska; Camera: Agfa Billy-Clack, Film: Kodak 120 T-Max 100

I’ve had this Agfa Billy-Clack #74 camera sitting on the shelf for a while now, but had never sent a roll of film through it.

The Billy-Clack was produced prior to The Second World War, so it’s an 80+ year old piece of equipment. I believe the exact years of production ran from 1934 to 1940.

I had no idea what I was going to get out of it, but I kind of like the results. I shot a roll of black & white film while in Seward, and followed that up with a roll of color in Fairbanks.

The Agfa Billy-Clack #74

The Billy-Clack has a definite “Art-Deco” look to it. The camera itself is as basic as one can get. It has the option of two shutter speeds (1/50, Bulb), three apertures (11,16,22), two view finders (a portrait, and a landscape), and it does have a built in yellow filter that you can slide in place if you so desire. It also has one of the most awkward shutters I have ever used. Still, it was fun to get out and shoot.

Fisherman at Miller’s Landing; Camera: Agfa Billy-Clack, Film: Kodak 120 T-Max 100


Campus Dipper

UAF’s Patty Center

Camera: Leica M3; Film: Kodak 35 TMax 400


Another view: St Lawrence State Hospital


Abandoned administration building


1884 Carriage House


BCT in B&W


One entrance to Buffalo Central Terminal


To Station: Don’t forget to pet the buffalo as you go by


Tickets. New York Central’s Cleveland Limited departs at 4:40am


Devil’s Hole Stairway