Camera: Rolleiflex 3.5MX; Film: Kodak 120, Ektar 100
When I sent in the film from the Billy-Clack, I had one roll of 120 black & white film that I could not remember when I had shot it. Somehow, a roll of film had been forgotten in a pack pocket during one of my travels. It sat around for a bit more, as I waited to get some more 120 used up.
The roll does have some history to it, and it has been a while. It’s from the last time The Rover was down in the Lower 48. Probably right after I swapped out the motor, because there are a few shots of San Antonio.
There was also a shot of some young punk, riding alongside me in the Land Rover, taking a picture of himself as he stuck out his tongue at the camera. He also took this shot of the Rover dash, probably scared at how fast we were moving.
I must have been concentrating on traffic, because I do not remember him sticking his tongue out at me or the camera.
Camera: Agfa Clack (not the Billy-Clack); Film: Kodak 120 TMax 100; Photographer: Minnesota “Moose” Matthew
I’ve had this Agfa Billy-Clack #74 camera sitting on the shelf for a while now, but had never sent a roll of film through it.
The Billy-Clack was produced prior to The Second World War, so it’s an 80+ year old piece of equipment. I believe the exact years of production ran from 1934 to 1940.
I had no idea what I was going to get out of it, but I kind of like the results. I shot a roll of black & white film while in Seward, and followed that up with a roll of color in Fairbanks.
The Billy-Clack has a definite “Art-Deco” look to it. The camera itself is as basic as one can get. It has the option of two shutter speeds (1/50, Bulb), three apertures (11,16,22), two view finders (a portrait, and a landscape), and it does have a built in yellow filter that you can slide in place if you so desire. It also has one of the most awkward shutters I have ever used. Still, it was fun to get out and shoot.